Rain

A nice mellow, Spring rain.

©2001 Rich Fisher

Click on the link below to play!

rain

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What Key Should My Next Song Be In?

AFFECTIVE KEY CHARACTERISTICS
from Christian Schubart’s Ideen zu einer Aesthetik der Tonkunst (1806)
C Major
Completely Pure. Its character is: innocence, simplicity, naivety, children’s talk.
C Minor
Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.
Db Major
A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.–Consequently only unusual characters and feelings can be brought out in this key.
C# Minor
Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius.
D Major
The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
D Minor
Melancholy womanliness, the spleen and humors brood.
Eb Major
The key of love, of devotion, of intimate conversation with God.
D# Minor
Feelings of the anxiety of the soul’s deepest distress, of brooding despair, of blackest depression, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.
E Major
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
E minor
Naive, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major.
F Major
Complaisance (seeking to please) & Calm.
F Minor
Deep depression, funereal lament, groans of misery and longing for the grave.
F# Major
Triumph over difficulty, free sigh of relief uttered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.
F# Minor
A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.
G Major
Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,–in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.
G Minor
Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
Ab Major
Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.
Ab Minor
Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.
A Major
This key includes declarations of innocent love, satisfaction with one’s state of affairs; hope of seeing one’s beloved again when parting; youthful cheerfulness and trust in God.
A minor
Pious womanliness and tenderness of character.
Bb Major
Cheerful love, clear conscience, hope aspiration for a better world.
Bb minor
A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.
B Major
Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
B Minor
This is as it were the key of patience, of calm awaiting ones’s fate and of submission to divine dispensation.

Translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. UMI Research Press (1983).

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A Song Called “Racetrack”

Listen Up!

This is a song I recorded with a drummer, the late Joey Belger, with a four-track tape deck. It’s called Racetrack.  It has kind of a late night television show theme song feel to it. Hope you like it. Click on the link to play the track. Sorry but I’m still working on getting the Audio Player posted inside the page or post. But I am getting better at this!  Remember I’m a guitarist, not a web guru! (Not yet anyway) Enjoy.

Click here to play “Racetrack”

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The Marshall Rig that Ate the Planet

Marshall

The Marshall rig front view

Marshall Rules.

Here is a photo of my guitar rig. Centered around a Marshall 9000 series preamp, this rig sounds absolutely incredible.  The Marshall runs an Alesis Midiverb II on the effects loop, and into another Alesis Midiverb II on the way to a Behringer Exciter unit, and then into a Rocktron Velocity 300 Touring Series power amp.  I use Celestions exclusively, with two 1 x 12″ cabs or a 4 x 12″ cab. Here are a couple of photos of the rack. 

Marshall

The backside of the Marshall rack

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The FreeGuitarTips.co Studio

Hey Now! I just created the “video studio” for freeguitartips.co and richfisheguitarist.com.  To quote Deep Purple: “With a few old beds, a few red lights, we made a place to play…”  It is ready for the first video test and inaugural video shoot. I still have to get the software back-end working for editing and converting the videos for consumption.  I took a few snapshots of the area, but they didn’t do it justice.  So I guess you will have to look for my first video, coming soon.

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New Tubes in the Marshall

Well I just put some new tubes in the Marshall 9000 Series preamp. Wow. I hadn’t replaced the tubes since 2005, so I guess it was overdue.  They just slowly get worse and worse, and you don’t really notice because the change is so slow, so you blame it on the guitar, or the cable, but NO… it’s the tubes you idiot! Ha.

Rich Fisher and Corey Reeves

Rockin' the Locker Room

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Playing Guitar with TV

Rich Fisher on Stage

Rich Fisher on Stage

A great way to stay in shape on guitar: When you’re sitting on your backside watching tv, play your guitar at the same time.  You can work on your ear by figuring out what key a piece of music is in, and jamming with it  a little bit.  Every piece of music on the tube is so short you will end up playing in a bunch of different keys, major or minor. Kicking back with some rock, country, smooth jazz or whatever kind of music Mad Ave throws at you.  I try to do it whenever I can.  - Rich

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Hello fellow guitarists

Rich Fisher on Guitar

Rich Fisher playing live on stage

Welcome to my new guitar blog. I hope to have it up and running soon, providing unstructured, unfettered access to great free guitar videos that will show you how to play guitar better, with cleaner leads, and better tone. I will NOT be showing you how to play cover songs. Instead, I will show you how to come up with your own unique chops, and how to navigate within any given key across the fretboard to make your playing be more fluid and lyrical.

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